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Yorkshire Bylines
Home Society Culture

Proto-type theatre play Dead Cats takes to Sheffield stage

Natalie Aldred reviews Dead Cats, a play that exposes the rhetorical methods politicians use to play fast and loose with the truth

Natalie Aldred by Natalie Aldred
26-04-2023 07:01 - Updated on 19-04-2026 23:04
in Culture, Region
Reading Time: 3 mins read
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dead cats

Dead Cats, photo credit Proto-type Theater and Adam York Gregory

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Following on from a successful run last year, Proto-type theatre are bringing the final instalment of their Truth to Power project to Sheffield’s Crucible next month.

The last of Proto-type’s Truth to Power trilogy, Dead Cats is a play that “blends new writing, performance, film-making, and an obvious plant, to show – not tell – the truths behind the fictions”. 

Proto-type is a company of multi-disciplinary artists who have produced work and supported young creators in the US, the Netherlands, Russia, China, Armenia, France, Zimbabwe, and the UK since 1997.

festival of ideas
Culture

York Festival of Ideas turns a spotlight on the ‘three Rs’

by John Heywood
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How do politicians hoodwink the public?

Writer and Director Andrew Westerside, 39, said the company’s latest show is about the loose idea of truth-telling in contemporary politics.

Writer Andrew “Wes” Westerside is Senior Lecturer in Drama at The University of Lincoln.

He said: “Dead Cats is about how our politicians speak, and how that speech is very carefully constructed to say a lot but mean very little.

“It is about how accountability can be avoided or how positions can change and slide, that slipperiness and what that means for us as voters living in a world that is saturated now by news media.”

Taking place in one room, the play stars seasoned actors Gillian Lees and Rachel Baynton, who lead Proto-type theatre along with Westerside, with a set designed by Adam York Gregory and a soundtrack from Paul J Rogers.

Rachel Baynton and Gillian Lees performing in Dead Cats.

Truth to power

The two previous shows in The Truth to Power project, A Machine They’re Secretly Building and The Audit, saw a similar political bite, with the first of the trilogy being nominated for an Amnesty International award in 2017.

Despite the challenging edge, Westerside said: “It does not require a BA in politics to be able to come and engage with Dead Cats. There are questions and engagements with the world in this show that are important for every single one of us.

“It doesn’t matter where you sit on the political spectrum, how engaged you are with politics, it matters to all of us. This show is for everyone.”

Dead Cats will be at Sheffield’s Crucible on 10 and 11 May, get your tickets here.

    Great read!  Let me buy you a coffee.
Tags: ReviewSheffieldTheatre

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Natalie Aldred

Natalie Aldred

Natalie Aldred is studying for her master’s in journalism and an NCTJ qualification from the University of Sheffield. Originally from Burnley, Lancashire, she has been living and writing in South Yorkshire since 2022. A Lancaster Film Studies graduate, Natalie has a strong interest in art and culture, along with a new-found passion for finding local news stories.

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